The highly anticipated Furaha City Festival, held at Nairobi Polo Club over the weekend, ended in controversy when Tanzanian star Diamond Platnumz failed to perform. Despite an exciting lineup of Kenyan artists like Femi One, Mejja, Willy Paul, and Khaligraph Jones, the event was overshadowed by backstage conflicts and unrest among the crowd.
Diamond’s manager, Jorge Mendez (Sallam SK), explained that the singer’s decision to skip the performance stemmed from security concerns. In an interview with Nairobi News, Sallam SK stated that Diamond had waited backstage for three hours, prepared to perform, but the chaos at the event led to the cancellation. He also mentioned previous incidents where Diamond lost personal belongings during riots, which contributed to their decision to prioritize safety.
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“The event organizers couldn’t manage the call times for other artists, which caused fights backstage. For safety reasons, it was no longer safe for Diamond to go on stage,” Sallam SK explained.
The crowd’s frustration was evident as they chanted “Willy Paul!” in response to the delayed performance. Tensions between Diamond’s team and the event organizers were blamed for the disruption.
Despite the no-show, Sallam SK confirmed that Diamond had already been paid in full and was awaiting further communication from the organizers. “Diamond has been paid in full. He will share his side of the story in due time, but for now, we are heading to Paris,” he said.
The event organizer also released a statement on his official X account, acknowledging the challenges and criticizing Diamond’s team for their high demands. “We deeply regret that Diamond Platnumz did not perform. Despite our efforts to accommodate him and his team, their behavior and demands were unfortunate,” the statement read.
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In response to Eric Omondi’s comments about foreign artists disrespecting Kenyans, Diamond shared his thoughts, emphasizing that success comes from individual effort, not grudges. “You are a great example. You’ve headlined shows in Tanzania multiple times and have always been warmly welcomed. You never heard comedians complaining about being ‘oppressed,’ nor were there campaigns like ‘We want 75%’ for Tanzanian comedians. Instead, they focused on self-improvement, created platforms, and many stand-up comedians are now thriving because of their hard work.”